Final Crisis: Rage of the Red Lanterns
Lots of differing opinions on RRL. You can find two extremes here and here. Personally I’m enjoying the story line. Yes it’s a little hokey, setting up a whole universe of colour coded intergalactic space warriors. But on another level the colour concept story feels almost inevitable, like Silver Age-y hi-jinks that someone should have written up a long time ago. “Hey, we’ve got this character called Green Lantern, now I’m just spitballing here, but what if we had a RED Lantern as well?”
Genius.
Justice League of America #26
Honestly, I don’t know why I still read this title. My affection for the first 75 issues of the aborted JLA series has kept me reading this turkey well past its best before date. You’d think that a comic about most of the heavy hitters in the DCU would be, well, good. But sadly that hasn’t been the case for quite some time. Justice League of America is so concerned with being a mirror, accurately reflecting events and changes in the DCU proper, that it never goes out and creates any lasting changes of its own on that same world. I’m done with it and the mediocrity it imbues.
No Hero #2
Say what you will about Ellis reusing his favourite story motifs, but I still find that whatever he puts his hand to is more interesting than the majority of mainstream material out there. With some notable exceptions, superheroes have traditionally fallen into the game by accident or as a result of extraordinary circumstances. Very rarely do people seek the profession out. In No Hero, Ellis is exploring what happens to the desire to be a superhero when it gets all wrapped up in the vestments of corporate and institutional interests.
Showing posts with label Final Crisis. Show all posts
Showing posts with label Final Crisis. Show all posts
Thursday, October 30, 2008
Wednesday, October 22, 2008
Six sentence comic book reviews: The day evil won
Aetheric Mechanics
Final Crisis #4
Final Crisis: Submit
Hellblazer #248
Invincible #54
Trinity #21
Superman: New Krypton
Ultimate Spider-man #127
Final Crisis #4/Final Crisis: Submit
I’ve been watching Final Crisis: Submit appear and disappear off the publishing schedule for a couple weeks now. I don’t know the reason for its perpetual vanishing act, but if someone with any brains at all intentionally decided to release these two titles on the same day, I give them well deserved kudos. FC: Submit reads almost like an exceptionally long Prologue, yet the events that take place within it dovetail nicely into the more opaque goings-on of FC #4. Weighing in on the J.G. Jones controversy, I think it’s a shame that he won’t be finishing the penciling on the lead series. With so much riding on the success of this crossover event I don’t think DC comes off particularly well in their ability to adequately plan and co-ordinate the whole thing. When the series penciler is publicly questioning his own role with the project you can tell something has gone wrong behind the scenes.
Invincible #54
Still not feeling the new costume. It’s not just that I’m notoriously resistant to change (I am) but the new threads feel like a generic re-tread of so many of the superhero costumes currently out there. The original Invincible look was clearly punching above its weight, borderline iconic, representative of the wearer’s personality and it makes an instant impression on the reader. Black and blue and a darkening personality is an overused gimmick I’ve seen in too many other places to really care about it. Yes I know Kirkman and Ottley are making a point here, but I think they’re being self-referential about an era in comic history that’s better left in the pass. I hope this Dark-Mark bit will be finished sooner rather than later.
Final Crisis #4
Final Crisis: Submit
Hellblazer #248
Invincible #54
Trinity #21
Superman: New Krypton
Ultimate Spider-man #127
Final Crisis #4/Final Crisis: Submit
I’ve been watching Final Crisis: Submit appear and disappear off the publishing schedule for a couple weeks now. I don’t know the reason for its perpetual vanishing act, but if someone with any brains at all intentionally decided to release these two titles on the same day, I give them well deserved kudos. FC: Submit reads almost like an exceptionally long Prologue, yet the events that take place within it dovetail nicely into the more opaque goings-on of FC #4. Weighing in on the J.G. Jones controversy, I think it’s a shame that he won’t be finishing the penciling on the lead series. With so much riding on the success of this crossover event I don’t think DC comes off particularly well in their ability to adequately plan and co-ordinate the whole thing. When the series penciler is publicly questioning his own role with the project you can tell something has gone wrong behind the scenes.
Invincible #54
Still not feeling the new costume. It’s not just that I’m notoriously resistant to change (I am) but the new threads feel like a generic re-tread of so many of the superhero costumes currently out there. The original Invincible look was clearly punching above its weight, borderline iconic, representative of the wearer’s personality and it makes an instant impression on the reader. Black and blue and a darkening personality is an overused gimmick I’ve seen in too many other places to really care about it. Yes I know Kirkman and Ottley are making a point here, but I think they’re being self-referential about an era in comic history that’s better left in the pass. I hope this Dark-Mark bit will be finished sooner rather than later.
Wednesday, October 15, 2008
Pull List: 15 October 2008
Brave and the Bold #18
Final Crisis: Legion of 3 Worlds 2 of 5
Final Crisis: Rogues Revenge 3 of 3
Flash #245
Grant Morrison's Dr. Who #1
Justice Society of America #19
Trinity #20
Superman's Pal: Jimmy Olsen #1
Ultimate Origins #5
Final Crisis: Legion of 3 Worlds 2 of 5
Final Crisis: Rogues Revenge 3 of 3
Flash #245
Grant Morrison's Dr. Who #1
Justice Society of America #19
Trinity #20
Superman's Pal: Jimmy Olsen #1
Ultimate Origins #5
Thursday, July 10, 2008
Six sentence comic book reviews
All right you insufferable bastards.
Enjoy your pound of flesh.
Trinity #6
Action Comics #867
Green Arrow\Black Canary #10
Justice Society of America #17
Ultimate Origins #2
Wolfskin Annual #1
Final Crisis: Requiem
Booster Gold #1000000
Wolfskin Annual #1
This was a surprise purchase on my part, especially since I’m actively trying to prune my pull list. But two things combined to encourage me to pull this number off the shelf. First, it’s written by Warren Ellis. Second, Wolfskin kills a man by hitting nails into his face as if he were practicing hammering fly balls into the outfield at Sky Dome. What’s not to like? Aside from some intentionally opaque dialogue I thought this was an amusing done-in-one story that sets the stage for the title character’s next story arc.
Booster Gold #1000000
I hadn’t realized that Johns’ final issue of Booster Gold was coming out this week. Regrettably with his departure this title moves into my drop pile. After the death of Ted, Blue Beetle II, time repairs itself and Booster begins to question what’s been driving him to be a superhero in hiding over the last twelve issues. That is until Batman shows him the photographs from the Joker’s camera, that he's apparently been holding onto for years, of Booster trying to save Barbara from being shot. I’m sorry, I’m not buying it. Even keeping the vagaries of a fictional universe’s timelines in mind I have touble believing that Batman is dick enough to hold on to those photos for so long without saying or doing something about them.
Final Crisis: Requiem
Hey, lookit that, Aquaman’s back. Um, I was never the biggest Aquaman fan, but the Internet tells me that the incarnation showing up in this issue is no more. Is this a scheduling goof that has now spoiled upcoming events from Final Crisis? Or was DC determined that all of their Big 7 make an appearance at J’onn’s funeral, throwing logic and continuity to the wind? Anyway, Requiem chronicles the life and death of J’onn J’onzz, the Martian Manhunter. Nothing about the way his death is presented smacks of permanence and I think it’s obvious that this is an editorial decision to remove him from the board for a while, for whatever reason.
Action Comics #867
Geoff Johns thrives in his role as DC’s chief continuity repairman for some of their more convoluted properties. This time out Brainiac is getting the Johns treatment. Rather than wait for Brainiac to discover his existence on Earth, Clark decides to turn the tables and bring the fight to him. So he heads out into space where he interrupts one of Brainy’s city smash-and-grab routines. Gary Frank’s art made this issue for me, I’ve never seen Brainiac, and Braniac related constructs, looks so evil and menacing. Now if only we could find some way to get rid of Steve Lombard again, another Crisis maybe?
Now get out of here. You can’t bother to leave me my dignity, so just leave me in peace.
Enjoy your pound of flesh.
Trinity #6
Action Comics #867
Green Arrow\Black Canary #10
Justice Society of America #17
Ultimate Origins #2
Wolfskin Annual #1
Final Crisis: Requiem
Booster Gold #1000000
Wolfskin Annual #1
This was a surprise purchase on my part, especially since I’m actively trying to prune my pull list. But two things combined to encourage me to pull this number off the shelf. First, it’s written by Warren Ellis. Second, Wolfskin kills a man by hitting nails into his face as if he were practicing hammering fly balls into the outfield at Sky Dome. What’s not to like? Aside from some intentionally opaque dialogue I thought this was an amusing done-in-one story that sets the stage for the title character’s next story arc.
Booster Gold #1000000
I hadn’t realized that Johns’ final issue of Booster Gold was coming out this week. Regrettably with his departure this title moves into my drop pile. After the death of Ted, Blue Beetle II, time repairs itself and Booster begins to question what’s been driving him to be a superhero in hiding over the last twelve issues. That is until Batman shows him the photographs from the Joker’s camera, that he's apparently been holding onto for years, of Booster trying to save Barbara from being shot. I’m sorry, I’m not buying it. Even keeping the vagaries of a fictional universe’s timelines in mind I have touble believing that Batman is dick enough to hold on to those photos for so long without saying or doing something about them.
Final Crisis: Requiem
Hey, lookit that, Aquaman’s back. Um, I was never the biggest Aquaman fan, but the Internet tells me that the incarnation showing up in this issue is no more. Is this a scheduling goof that has now spoiled upcoming events from Final Crisis? Or was DC determined that all of their Big 7 make an appearance at J’onn’s funeral, throwing logic and continuity to the wind? Anyway, Requiem chronicles the life and death of J’onn J’onzz, the Martian Manhunter. Nothing about the way his death is presented smacks of permanence and I think it’s obvious that this is an editorial decision to remove him from the board for a while, for whatever reason.
Action Comics #867
Geoff Johns thrives in his role as DC’s chief continuity repairman for some of their more convoluted properties. This time out Brainiac is getting the Johns treatment. Rather than wait for Brainiac to discover his existence on Earth, Clark decides to turn the tables and bring the fight to him. So he heads out into space where he interrupts one of Brainy’s city smash-and-grab routines. Gary Frank’s art made this issue for me, I’ve never seen Brainiac, and Braniac related constructs, looks so evil and menacing. Now if only we could find some way to get rid of Steve Lombard again, another Crisis maybe?
Now get out of here. You can’t bother to leave me my dignity, so just leave me in peace.
Thursday, June 26, 2008
Six sentence comic book reviews
Figures.
On my first day without my school time-suck I get sick and have to spend the whole thing sacked out on the downstairs couch. Thank God for the Chronicles of Riddick and a girlfriend unafraid to brave the halls of the Silver Snail, where the only female presence is behind the cash register. Seriously, she went in there once in a Wonder Woman T-shirt and that just gave men an excuse to stare at her chest.
But I digress.
This week, the DayQuil infused ramblings of a diseased germ bag, where I promise to limit my reviews of your favourite titles to exactly six sentences.
No more.
No less.
Because that’s just how we role……in short six sentence increments.
Final Crisis #2
It’s impossible to credibly summarize the plot of any Grant Morrison work in just six sentences, much less review the entire issue. But I’ve never been one to let quality stand in the way of meaningless promise. Reading FC is like jumping into your time machine and reading the first forty odd issues of JLA all over again, there’s always hints at a larger evil just off page. This time it’s the Machiavellian machinations of an Earth bound Dark Side and co. I like the idea of making Kirby’s biggest DC creations more accessible to the DC Universe at large. It takes a wonderfully constructed epic mythology, which was previously accessible to only the most powerful of off-world traveling heroes, and transplants it into an urban here-and-now environment which will allow it to interact with just about any hero DC has on the books.
No Hero #0
The creative team behind Black Summer (Warren Ellis, Juan Jose Ryp) return for another look at the personal, political and social repercussions of self made super hero teams let loose in the real world. The series will follow a chemically enhanced 60’s era super-team as they metamorphasize from a bunch of young street-wise idealists, known as the Levellers, into the institutionalized government style group, The Front Line. The driving question behind this title is “How badly do you want to be a superhero?” The idea being that regular people are willing to engage in all sorts of ethically suspect activities and behaviour if it means having an opportunity to grab that brass ring. Parallels can quickly and easily be drawn between these heroes and high paid sports celebrity-types. With issue 0 Ellis has done an admirable job of laying the foundation for an interesting Legacy-hero style story and I look forward to seeing where he takes it.
Green Lantern #32
Finally, a secret origins issue that doesn’t concern itself with re-telling information the reader likely already knows verbatim. In this issue Hector Hammond’s supervillian back-story gets ret-conned. No longer does he gain his enormous intellect and misshapen head from deliberately exposing himself to a mysterious meteor. Instead Hammond is now the victim of an explosion from within Abin Sur’s downed ship. This explosion exposes him to some sort of gas\radiation and he begins to develop the telepathy and the over-sized cranium we come to associate with the character. Coupled with some additional ‘Origin of the Red Lanterns material,’ this is the first time this particular plot-arc has gotten interesting.
Thunderbolts #121
So long Warren, we hardly knew ye. And with Ellis’ swan song on this title I can officially move Thunderbolts into my drop pile. The ‘bolts continue to fight each other, under the influence of some powerful psychics who’s motives are never really explained. After the team manages to neutralize each other into unconsciousness, Bullseye pulls a Deux Ex Machina and shows up to finish off the offending telepaths. An anti-climatic end to a title that was consistently a step or two above average. Rather than impose any lasting change or growth upon the team Ellis returns everything to status quo by writing off the recent throw down as the fault of the powerful psychics.
Ultimate Spider-man #123
I’ve noticed recently that the Ultimate titles have taken a step backwards in terms of the physical quality of the comic book. Gone is the heavy card stock covers and in its place is the familiar glossy pages that I see on every other title I buy. I guess with the news that the Ultimate line is being folded\canceled means Marvel no longer has to splash out on fancy paper. Which is unfortunate. Ultimate Spider-man is the only Spider-title I’ve bothered to keep reading. Bendis, Bagley and now Immonen have managed to take a hero I’d gotten slightly bored with and made him new and interesting again, without having to resort to magically dissolving his marriage.
That’s it for me. Now get off my lawn.
On my first day without my school time-suck I get sick and have to spend the whole thing sacked out on the downstairs couch. Thank God for the Chronicles of Riddick and a girlfriend unafraid to brave the halls of the Silver Snail, where the only female presence is behind the cash register. Seriously, she went in there once in a Wonder Woman T-shirt and that just gave men an excuse to stare at her chest.
But I digress.
This week, the DayQuil infused ramblings of a diseased germ bag, where I promise to limit my reviews of your favourite titles to exactly six sentences.
No more.
No less.
Because that’s just how we role……in short six sentence increments.
Final Crisis #2
It’s impossible to credibly summarize the plot of any Grant Morrison work in just six sentences, much less review the entire issue. But I’ve never been one to let quality stand in the way of meaningless promise. Reading FC is like jumping into your time machine and reading the first forty odd issues of JLA all over again, there’s always hints at a larger evil just off page. This time it’s the Machiavellian machinations of an Earth bound Dark Side and co. I like the idea of making Kirby’s biggest DC creations more accessible to the DC Universe at large. It takes a wonderfully constructed epic mythology, which was previously accessible to only the most powerful of off-world traveling heroes, and transplants it into an urban here-and-now environment which will allow it to interact with just about any hero DC has on the books.
No Hero #0
The creative team behind Black Summer (Warren Ellis, Juan Jose Ryp) return for another look at the personal, political and social repercussions of self made super hero teams let loose in the real world. The series will follow a chemically enhanced 60’s era super-team as they metamorphasize from a bunch of young street-wise idealists, known as the Levellers, into the institutionalized government style group, The Front Line. The driving question behind this title is “How badly do you want to be a superhero?” The idea being that regular people are willing to engage in all sorts of ethically suspect activities and behaviour if it means having an opportunity to grab that brass ring. Parallels can quickly and easily be drawn between these heroes and high paid sports celebrity-types. With issue 0 Ellis has done an admirable job of laying the foundation for an interesting Legacy-hero style story and I look forward to seeing where he takes it.
Green Lantern #32
Finally, a secret origins issue that doesn’t concern itself with re-telling information the reader likely already knows verbatim. In this issue Hector Hammond’s supervillian back-story gets ret-conned. No longer does he gain his enormous intellect and misshapen head from deliberately exposing himself to a mysterious meteor. Instead Hammond is now the victim of an explosion from within Abin Sur’s downed ship. This explosion exposes him to some sort of gas\radiation and he begins to develop the telepathy and the over-sized cranium we come to associate with the character. Coupled with some additional ‘Origin of the Red Lanterns material,’ this is the first time this particular plot-arc has gotten interesting.
Thunderbolts #121
So long Warren, we hardly knew ye. And with Ellis’ swan song on this title I can officially move Thunderbolts into my drop pile. The ‘bolts continue to fight each other, under the influence of some powerful psychics who’s motives are never really explained. After the team manages to neutralize each other into unconsciousness, Bullseye pulls a Deux Ex Machina and shows up to finish off the offending telepaths. An anti-climatic end to a title that was consistently a step or two above average. Rather than impose any lasting change or growth upon the team Ellis returns everything to status quo by writing off the recent throw down as the fault of the powerful psychics.
Ultimate Spider-man #123
I’ve noticed recently that the Ultimate titles have taken a step backwards in terms of the physical quality of the comic book. Gone is the heavy card stock covers and in its place is the familiar glossy pages that I see on every other title I buy. I guess with the news that the Ultimate line is being folded\canceled means Marvel no longer has to splash out on fancy paper. Which is unfortunate. Ultimate Spider-man is the only Spider-title I’ve bothered to keep reading. Bendis, Bagley and now Immonen have managed to take a hero I’d gotten slightly bored with and made him new and interesting again, without having to resort to magically dissolving his marriage.
That’s it for me. Now get off my lawn.
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